Author: Callie McNorton

Our journey as writers often begins as storytellers. Through this medium, we can tell all kinds of stories about our identity, research, likes, dislikes, and the list goes on! However, sometimes we must listen to outside perspectives–stories from those who we might not usually think to seek. Dr. Monica Reyes, who has an expansive background in work involving displacement and migration studies, is teaching WRD 365: Migration and Storytelling this Winter Quarter 2025.  By examining a range of texts—including personal narratives, news articles, opinion pieces, and legal documents—students will evaluate the ethical, cultural, and political aspects of communicating, whether through

**responses edited for clarity Writing is best when it is a collaboration. In high school, the thought of someone critiquing my work was terrifying. However, a great way to grow as a writer is to work with those around you, receiving and giving feedback. In WRD 371: Mentoring Youth in Community Groups, DePaul students have an opportunity to grow their ability to provide feedback, enhancing their own reflective writing processes, and help younger students at the local Leo High School develop their writing. Finding these types of spaces can be intimidating, but WRD 371 has become a haven for young

**originally posted May 19, 2022 by Amanda Finn; information is still accurate for WQ 25 There has long been an argument about whether or not graphic novels or comic books should be considered literature. Regardless of which side of the argument you may be on, it is a fascinating conversation to be sure. Professor Alan Ackmann is taking on an adjacent discourse in the upcoming course WRD 287 – The Comic Book as Visual Argument. This class will dig into the rhetorical nature of comics and explore the ways in which they add to conversations. Read on to learn more about